Sunday, March 22, 2009

Lauren D. Frank Mann

Lauren Doyle

Frank Mann


On an anxious Thursday, myself and well known artist, Frank Mann, met each other for the first time. After a quick introductory into my world, technique, and current series, Frank Mann and I discussed several art pieces that I created. “Standard Scenario, And Those Moments, Persistence on Your Tongue, Lost Signal, and Mail Order Wife,” were discussed and critiqued. In “Mail Order Wife,” Mann shared his thoughts and immediate reactions. He said, “I can see into their lives and backgrounds. It definitely speaks well to the audience.” Hearing that from Frank Mann gave me chills and excitement. Knowing that a man of such experience enjoyed my work and actually heard my voice through the images was a great experience. 

  Mann also mentioned playing with perspective in the foreground rather than only in the background. This would change the dimensions and feeling of the pieces. He gave many comments about the series and technique of the use of paint. Mann recommended artists, Larry Rivers and Edvard Munch. Similar qualities and textures were used between both artists and techniques. 

Overall, the experience of chatting with Frank Mann did not last long enough. Before I knew it, the thirty minutes was over. Yet, after my time with Frank Mann, I left with great ideas and knowledge of how far success can lead you. 

Lauren D. Banana Factory

Lauren Doyle 

Independent Studio

Feb 22, 2009

Bruce Wall


Banana Factory Visit

On Monday the independent studio class traveled to the Banana Factory in Bethlehem, PA. The Banana Factory adds many perks to the Lehigh Valley Area while contributing to those in need. Known as a cultural Arts and education center, the Banana Factory hosts art exhibitions, art classes, a performing arts department, all year long. 

Two exhibitions were on view during our visit at the Banana Factory. Both contrasted themes but overall painted a similar image. The Artist’s Archives, a Solo Exhibition, by Susan Ward, and Back to the Lowndes Country, by Estizer Smith, both discussed truth, nature, and American History. Past years of abuse of fellow men and women who were african american, gestured rythmn by incorporating similar color schemes or ideas. Overall, I was very impressed with Estizer Smith’s, Lowndes Country, and also shocked to see a strong and assertive message. The message of the struggle of an african american society throughout American history. A theme which often is shared with the deep south of America. 

After the class observed the two exhibitions, we met with Visual Arts and Education Coordinator, Rachel Akers. Once a graduate of Northampton Community College and Pratt Institute, Rachel has succeeded through working at Banana Factory and curating many art exhibitions throughout the area. Strength and a positive life outlook definitely pushed Rachel through hardships and life struggles. Through hardships, Rachel found her way, found her voice, and created a successful career path. I found her extremely proactive and inspiring. I would love to step into her shoes one day and have a career in Visual Arts as a coordinator. My stress level would rise and my free time would diminish, but the result of having a creative yet powerful occupation would make my time worth while. 

Lauren D. Altered and Assembled

Lauren Doyle

Wall

1/27/09

Beatnik Collaboration 

Altered and Assembled: The Beat Goes On-New Perspectives approached a highly addictive time that forever was known as the Beat Generation. Juror, Maryann J. Riker expresses her thoughts and admiration while keeping history an important factor. Riker persistently remarks, “ Certainly these works say something moving about a moment in this country’s history when art was about invention ... and anything seemed possible.” Anything was possible in the 1950’s art world. People were throwing paint on stretched canvas, gluing dead birds to artwork, while seemingly making a huge statement to the American public. Invention through the use of everyday materials or found objects can be used for effective and responsive artwork. 

As I walked into the art gallery, Altered and Assembled: The Beat Goes On-New Perspectives, I was reminded of a familiar pastime that I have always enjoyed, painting. My current work jumps into the Beatnik period and grabs Robert rauschenberg and Bruce  Connor by the neck. Sarah Lee Butler, a New Perspectives participant, constructed coffin-like boxes that can resemble past memories or fears. A specific piece, Numbers, signals strong emotions and reckless abandonment. The repetition of the two digit numbers carries movement throughout the piece. The texture of tar or concrete approaches curious questions. Although, the scratching finger nail detail mixed with the dark and chaotic texture, establishes a sense of prolonging affection. 

After pondering Butler’s artwork, I ventured over to Gary Grave’s piece. Thinking about Butler’s work seemed useful yet predicted. Unlike Butler, Graves placed his piece, Age 7, way above a two foot pillar. There on top was a stack of miniature gelatin silver print photographs of a naked man. Photographs were almost the size of dimes. Maybe the artist wanted you to take a closer examination on the man in the speedo. 

Overall, the show was impressive. The history the show connected with the young and was overall pleased. Understanding that facts of the Beatnik era can flow from any crevice of the art community, it can freely move into future elaboration with other history. 

Lauren D. Visual Culture

Lauren Doyle

Independent Studio

Spring 2009

Professor Bruce Wall        

                                                “The Domestic Woman’s Struggle”

            In 2009, many women believe feminism has disappeared; and thus, is forgotten from the daily conversation. Billboards, magazines, and television ads line the media with 5 foot ten models wearing nothing but skin. Eight year old girls dash onto school buses with mini skits and text written across their extra small t-shirts. Sex exploitation was fought against as early as 1848 and still the struggle persists (Freeman). The United States has come along way from segregated, racist, and patriarchal ways of thinking, but many aspects of a woman rights’ are still not equal to a man. Why has the Unites States traveled backwards in time seemingly to losing track of women’s importance? For over 160 years, women have pushed political equality, economic equality, and social equality of the sexes; Roe VS. Wade, voting rights, legalized birth control, to name a few, have all risen from empowered women and even some men. 

            Feministic views are not only geared towards woman but men as well. Appreciation of empowered women forces a mindset of equality and respect. Feministic views are often seen to resemble “macho, strong, man-hating” women and in several cases, most men and women associate feminism with lesbianism. Everyone knows that an individualistic, self righteous woman must hate every man who walks by her, right? In actuality, men and women who decide to judge feminist as lesbians clearly show their inner insecurities and ignorance rather than intelligence; plain and simple, the general population of the United States is afraid of a powerful woman.  As a matter of fact, the definition of feminism resembles a broader idea known as equality. Ever since man has asserted ownership over woman in a father-like society, there has been a strong numbers of women who have battled for dignity and equal rights. Formations of feminist and women’s rights groups during the middle eighteenth and early nineteenth century, broke the barrier once created by men of power. Case in point: The first Women’s Suffrage Act is passed Wyoming, only 16 states within The United States allow women to vote in 1918, and finally in 1964 the Civil Rights Act is passed (Freeman). Other accomplishments were documented between the fifty year gap, although greater outcomes flourish years to come.

            Past years of subordinate women still lingered during the 1940s and 50s. The pressures of war, economic strife, and men at war, allowed women to replace thousands of “masculine” duties, changing the common conceptions of women in the work field (at least temporarily). Employment was needed within: Gas stations, factories, post offices, and laborers. Never before could a woman serve a male dominated position (Gardiner). As World War II ended, the newly empowered and homemaker-free women were forced back into the cave by the returning men of war. 

After the war, women resigned or were forced to leave their wartime occupation. Groups of women decided to stay quiet, be thankful their mate returned, and resume the role as a “homemaker.” Others could not adjust so easily. Adjusting after living a man’s life in the workforce brought new ideas and motives into a women’s brain. During before the war, a man supported the family by supplying food, shelter, and status.  A better life was discovered alongside working during World War II and thousands of women wanted to taste the new life. Sharing a small fracture of a “man’s world” emotionally and physically changed the mentality of a domestic wife to rather an independent partner. 

After looking back at the traditional past of America’s pastime, a glance is given to today’s approach to feminism. Women have come to see dependence as being a form of female weakness or lack of personal respect. Once traditional and naive, women of today have become cautious within ideas of children and marriage, choosing instead to be stronger and entirely independent (Phillips). Marriage will continue to linger in the eye of women, but a partner’s role in the household or relationship can be adjusted.  

            Over all, men and women have chosen to agree or disagree with the idea of feminism. Past and present ideas and values have both increased and with drastic measures. Anti-feministic Americans visualize feminism as a non traditional, anti-American, and satanic mentality. Others believe feminism is only the most positive and only ideal way of thinking. History shows that America has come along way from the Victorian era, carrying such methods of minimal women’s rights and importance. Majority of thinkers do agree, repeating the past is not beneficial to the society as a whole and as a nation.

Lauren D. New York Trip

Lauren Doyle 

IS 

Bruce Wall

NY Trip IS

Friday, March 6th, 2009, began with arriving to New York City. Traveling to Soho, Lower East Village, and Chelsea brought strange, interesting, and complex art work into our Independent Studio’s class. A compacted and eventful day was ahead of us. Especially since Professor Bruce Wall filled the day with non stop art activities and experiences. 

The first stop at 10 A.M was at John King’s apartment. Such a lovely and historic loft right in the middle of Soho. I wanted to pinch myself as I walked into the space. After being introduced to John King and his wife, John began to explain his art process and career. I found it fascinating how John uses wax and images within an encaustic process. I would love to attempt such a technique. Overall, John was very inspiring. His speech on how to accomplish a life as an artist was memorable. Not sugar coating the artist trip and experience of an visual thinker I found very important to a young artist. Many accomplished artist always stay positive yet not realistic. John said, “ I needed another job so I could pay the rent. I could not live with the feeling of not being able to pay the rent. Needed to know if I could stay here another month.” 

From King’s loft, our group ventured over to O.K. Harris Gallery. Along the way to the gallery, we met artist Ryan McGinniss on the street right outside his studio. Apparently, he is a well known artist to the New York area and beyond. His name on google had over 40,000 hits. As we walked into O.K. Harris, an installation of thick rope going from the side of the room at a horizontal angle around 60 degrees to 20 degrees captured the room.Past the rope installation, we met with receptionist and owner of the gallery. I particularly was interested in viewing the three wire shadow artwork. A shadow of the United States and a chair were created by the wire. 

Paul Laster and RenĂ© Ricardo-Laster, curators of exhibition, “ 4AM in the Garden,” talked about their lives and experiences in the art world. I feel in love with the painting of the large oil painting of the woman holding the killed turkey. The symbolic imagery and use of light was wonderful. 

We stopped to view selected Chelsea galleries as well. Most memorable and favorite was the Paul Morrison show, three dimensional black painted art, Communication Artwork, Strange Character Hut Land, and the Gallery with the Cotton Ball Art. Strange and not re-visitable were the following; The Broken Kilometer, The Earth Room, and of course “The Artist Can of S&*$.” I thought the artist was at least joking about the S&*%. I later found that it was in-fact the artist’s feces. Shock art can work for the correct time and place, but putting your feces into a can to sell is not attractive. The Earth Room installation was interesting but I felt suddenly hard of breath while visiting the installation. All the dirt created a think smog that held oxygen. Interesting effect but I would rather have the option to breathe while viewing artwork. 

After the galleries, the group traveled to PULSE. PULSE, a contemporary art fair, was filled with 75 galleries from all over the world. Shane McAdams, painter and assistant gallery director, spoke to the group about the fair and location of his tent. After meeting Shane, we traveled around the fair alone and discovered interesting artwork. At PULSE, my favorite was the suspended tree sculpture made out of wire and the string Marilyn Monroe with the globe. The colors of the string, concept, and the originality of flipping the art inside the globe was fascinating. PULSE was an interesting experience because we interacted with the “Real Art World.” I have never had the chance to meet such wealthy, pretentious, vulnerable people. Although, I enjoyed learning what it takes to stand out, I was disappointed. I wish there was more tradionial, gesture, figure drawings displayed. 

Overall, the art trip to New York City was unforgettable. I interacted with the art community while standing on the side lines. Imagining myself among the Art World was interesting and odd. I wonder if I could handle all the money and power that the world holds? Although, with a lot of practice, dedication, and skill, I could manage it. 

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